Theatre for a New Audience has established a Council of Scholars to expand the scope and depth of the Theatre’s humanities programs. A primary goal of the Council will be to provide perspectives that illuminate contextual themes and heighten intellectual conversation around Theatre for a New Audience’s season. The Council will help to design comprehensive and integrated programs that meet the needs of target audiences, and that deepen the contributions of the Theatre to Shakespeare study and scholarship over time. Further, Council members will participate in the Theatre’s public programs and will write articles for its publications. The current Council Members are Jonathan Kalb, Richard McCoy, Tanya Pollard, Alisa Solomon, and Ayanna Thompson (Chair).
ABOUT THE COUNCIL
Pictured above: Emily Gould, Alisa Solomon, Merritt Janson, and Michaël Attias; photo by Gerry Goodstein.
AYANNA THOMPSON is Director of the Arizona Center for Medieval & Renaissance Studies (ACMRS) and Professor of English at Arizona State University. She is the author of Blackface (forthcoming Bloomsbury, 2021), Shakespeare in the Theatre: Peter Sellars (Arden Bloomsbury, 2018), Teaching Shakespeare with Purpose: A Student-Centred Approach, co-authored with Laura Turchi (Arden Bloomsbury, 2016), Passing Strange: Shakespeare, Race, and Contemporary America (Oxford University Press, 2011), and Performing Race and Torture on the Early Modern Stage (Routledge, 2008). She wrote the new introduction for the revised Arden3 Othello (Arden, 2016), and is the editor of The Cambridge Companion to Shakespeare and Race (forthcoming Cambridge University Press, 2021), Weyward Macbeth: Intersections of Race and Performance (Palgrave, 2010), and Colorblind Shakespeare: New Perspectives on Race and Performance (Routledge, 2006). She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus.She was the 2018-19 President of the Shakespeare Association of America, and served as a member of the Board of Directors for the Association of Marshall Scholars. She was one of Phi Beta Kappa’s Visiting Scholars for 2017-2018 and Chairs Theatre for a New Audience’s Council of Scholars.
JONATHAN KALB is Resident Dramaturg and Resident Artist at Theatre for a New Audience and Professor of Theatre at Hunter College, CUNY. He has twice won the George Jean Nathan Award for dramatic criticism. The author of five books and hundreds of articles, essays, translations and other works, he writes about theatre on his blog “Something the Dust Said” at www.jonathankalb.com.
TANYA POLLARD(Chair, Council of Scholars) is Professor of English at Brooklyn College and the CUNY Graduate Center. Her books include Greek Tragic Women on Shakespearean Stages (2017), Drugs and Theater in Early Modern England (2005), Shakespeare’s Theater: A Sourcebook (2003), and four co-edited anthologies. She appeared in Shakespeare Uncovered: Macbeth (PBS, 2013) with Ethan Hawke and in Shakespeare Uncovered: King Lear (PBS, 2015) with Christopher Plummer. Beyond her work with TFANA, she has spoken with artists and audiences at theaters including the Red Bull, the Public, the Classic Stage Company, and the Roundabout, where she was Shakespeare consultant for Kiss Me Kate (2019). A former Rhodes Scholar, she has received fellowships from the NEH, Whiting, and Mellon foundations.
ALISA SOLOMON is a teacher, writer and dramaturg living in New York City. She directs the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism. Her criticism, essays and political reporting have appeared in a wide range of magazines and newspapers, including the New York Times, Nation, Forward, Theater, and Village Voice (where she was on the staff for 21 years). Her book, Re-Dressing the Canon: Essays on Theater and Gender (Routledge, 1997) won the George Jean Nathan Award for Dramatic Criticism. She is the co-editor (with Tony Kushner) of the anthology Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (Grove, 2003). Her latest book is Wonder of Wonders: A Cultural History of Fiddler on the Roof from Metropolitan Books (Holt). Photo by David M. Barreda.
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