The Will of the City

The Will of the City, Saint Flashlight’s poetry activation spotlighting the work of over a dozen NYC writers, will transform the streetside and outdoor screens at Polonsky Shakespeare Center, Theatre for a New Audience’s home in Fort Greene, into a bi-weekly updated anthology of poems inspired by Shakespeare’s plays.

 
This collaboration celebrates TFANA’s return in the wake of the pandemic and honors the company’s rich history with both New York-affiliated writers and the Bard over the past 40 years. Participants include playwrights Anya Banerjee (A Midsummer Night’s Dream), Twinkle Burke (Antony and Cleopatra), Will Eno (The Winter’s Tale), Steven Gaultney (King Lear), Modesto Flako Jimenez (Romeo and Juliet), Urayoán Noel (The Tempest), Emmy Potter (Julius Caesar), Jeffrey Sweet (Henry IV, Parts 1 and 2), and Carol Triffle (Titus Andronicus), as well as poets Regie Cabico (The Taming of the Shrew), Mónica de la Torre (Macbeth), Kate Lutzner (Twelfth Night), Ricardo Alberto Maldonado (The Merry Wives of Windsor), Diane Mehta (Hamlet), and Malcolm Tariq (Othello), among others.
 
Schedule:
Sep 27–Oct 10: Steven Gaultney
Oct 11–24: Anya Banerjee and Malcolm Tariq
Oct 29–Nov 7: Will Eno and Diane Mehta
Nov 8–21: Regie Cabico and Modesto Flako Jimenez
More to be scheduled shortly. 


ABOUT SAINT FLASHLIGHT

Saint Flashlight is the creative team of Molly Gross and Drew Pisarra, two conceptual artists devoted to placing poetry in public spaces. Although a relatively young organization, the pair has already garnered press in the New York Post, New York Times, Brooklyn Paper, Miami New Times, and Charleston City Paper. Their first project — Movie Marquee Poems — placed film-themed haiku on Brooklyn’s Nitehawk Cinema marquee. Additional projects have been done with the Poetry Society of America, the Poetry Project, and O, Miami among other places. https://saintflashlight.com


ABOUT THE WRITERS

Anya Banerjee is a Kiwi-American actress/writer. Born in Wisconsin and raised in New Zealand, she completed a Masters in English Literature at University of Auckland. In 2017, she returned to the States to earn an MFA in Acting from Columbia University (2020). Anya turned her literary research on prostitute-actresses in colonial Bengal into Apologies to the Bengali Lady, her first play. The piece was workshopped at Laboratory for Global Performance and Politics at Georgetown University before playing at The Tank NYC and finally Edinburgh Fringe Festival where it received shining reviews from The Scotsman, British Theatre Guide, and The List.


Twinkle Burke
is a writer/actor who was born in Harlem, NY and spent her early days using the steps of Columbia University as her playground. She then spent decades living in the East Village. Her work has been seen and produced by Actors & Writers of Hudson Valley, TMI Project, Lift Every Voice: Black Women Speak Festival, and The Drawing Board, to name a few. She is a Teaching Artist for Teachers & Writers, and a writing mentor for Prison Writes. She is a proud member of the Dramatists Guild and is a 2021 recipient of the Cerimon Personal Development grant.


Regie Cabico
won the Nuyorican Poets Cafe Grand Slam and took top prizes in three National Poetry Slams. His solo shows and plays have been presented at Dixon Place, Joe’s Pub, The Kitchen, Humana Theater Festival, and Woolly Mammoth Theater. Cabico is a former NYU Asian American Studies Artist-in-Residence and received a NY Innovative Theater Award for his work with the New York Neo-Futurist production of Too Much Light Makes The Baby Go Blind. He is featured in The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida (NYU Press, 2021).


Mónica de la Torre
’s most recent book of poems and translations is Repetition Nineteen (Nightboat). Other books include The Happy End/All Welcome (Ugly Duckling Presse)—a riff on Kafka’s Amerika—and Public Domain (Roof Books). With Alex Balgiu, she co-edited the anthology Women in Concrete Poetry 1959–79 (Primary Information) and teaches at Brooklyn College. Recent writing appears in The Paris Review Daily, the NY Review, and Midst.


Will Eno
lives in Brooklyn with his wife Maria Dizzia and their daughter Albertine. He is a Pulitzer finalist, and winner of an Obie, Drama Desk, Guggenheim Fellowship, and Lucille Lortel Award, among other honors. His plays have been performed around the country and world and translated into many languages. They are published by Samuel French, TCG, Dramatists Play Service, playscripts, and Oberon Books. He wrote the book for the wildly successful Skittles Commercial: The Broadway Musical. He is working on several new plays and television projects.


Steven Gaultney
is a Brooklyn-based playwright. His plays include A Thousand Ships at the Bottom of the Sea, Limb from Limb, Negligence, and Adam’s Dream. He is the resident playwright for The Theatre of Others, which has now produced two of his plays. His work has also been developed by Chautauqua Theatre Company and Theatre for a New Audience. M.F.A.: Columbia University.


Modesto Flako Jimenez
is a Dominican-born, Bushwick-raised theater maker, producer, and educator. Jimenez is best known for original productions and three signature festivals produced with his company Oye Group. He has appeared in Taxilandia (Oye Group, NYTW, the Bushwick Starr, & The Tank, NY Times Critic’s Pick), Early Shaker Spirituals (Wooster Group), Last Night At The Palladium (Bushwick Starr/3LD), Yoleros (Bushwick Starr/IATI theater), Conversations Pt.1: How To Make It Black In America (JACK), Take Me Home (3LD/Incubator Arts Project), Richard Maxwell’s Samara (Soho Rep.), Kaneza Schaal’s Jack & (BAM).


Kate Lutzner
is the author of Invitation to a Rescue (Poet Republik Limited, 2016). Her poems and stories have appeared in Antioch Review, Mississippi Review, The Brooklyn Rail, BlazeVOX, Rattle, and other journals. Lutzner holds a JD from the University of North Carolina at Chapel Hill and an MFA from The City College of New York. She lives in Brooklyn.


Ricardo Alberto Maldonado
is co-editor of Puerto Rico en mi corazón and author of The Life Assignment, a finalist for the Norma Farber Award from the Poetry Society of America. He is at work on the Puerto Rico Literary Project, an archive of poets supported by the Mellon Foundation.


Diane Mehta
is the author of Forest with Castanets and a recipient of a 2020 Literature Grantee of Café Royal Cultural Foundation. The New Yorker has published three poems recently, and other poems and essays are in Agni, Harvard Divinity Bulletin, Air/Light, American Poetry Review, Harvard Review, and Southern Humanities Review. Previous Saint Flashlight projects include Movie Marquee Poems at Nitehawk Cinema and The Lost Poems at O Miami. The New York City Ballet commissioned a poem on Christopher Wheeldon’s DGV: Danse à Grande Vitesse. She is finishing a novel set in 1946 and a collection of essays.

 

Urayoán Noel lives in The Bronx and teaches at NYU. He is the author of In Visible Movement: Nuyorican Poetry from the Sixties to Slam (2014) and eight books of poetry, most recently Transversal (2021), as well as the editor and translator of Architecture of Dispersed Life: Selected Poetry (2018) by Pablo de Rokha, which was a National Translation Award finalist. Noel’s work has appeared in the New York Times, Bomb, Hyperallergic, and in group exhibitions at the Museum of the City of New York and the Museo de Arte de Puerto Rico.


Emmy Potter
is an actor, writer, comedian, and director originally from the Midwest, who moved to NYC with just two giant suitcases in 2011. Over the past decade, she’s established herself online as a go-to voice for thoughtful, funny, feminist film/TV analysis at Consequence of Sound, Bright Wall/Dark Room, and Crooked Marquee. Offline, she’s authored such plays as Maneater and The Wayward Women. (The latter was commissioned by Phoenix Theatre Ensemble.) Having collaborated with Saint Flashlight on Movie Marquee Poems at Nitehawk Cinema, she’s thrilled to be part of this new project celebrating two things she loves: Shakespeare and NYC.


Jeffrey Sweet
is the author of more than 20 plays and musicals, including Flyovers (Jeff Award), The Action Against Sol Schumann (ATCA Award), American Enterprise (ATCA Award) Court-Martial at Fort Devens (Audelco Award), Bluff, Porch and The Value of Names, many of which played New York, Chicago, and stages around the country. He also wrote lots of TV and published books on Second City (Something Wonderful Right Away), the O’Neill Center (The O’Neill) and playwriting technique (The Dramatist’s Toolkit). His most recent play was Kunstler, which had successful runs at 59E59 and Barrington Stage. He teaches playwriting online through TheNegotiatingStage.com.


Malcolm Tariq
is a poet and playwright from Savannah, Georgia. He is the author of Heed the Hollow (Graywolf, 2020), winner of the Cave Canem Poetry Prize and the Georgia Author of the Year Award in Poetry. He was a 2016-2017 playwriting apprentice at Horizon Theatre Company and a 2020-2021 resident playwright with Liberation Theatre Company. Malcolm is a graduate of Emory University and holds a PhD in English from the University of Michigan. He lives in Brooklyn, New York, where he is the Programs Manager at Cave Canem, a home for Black poetry.


Carol Triffle
co-founded Imago Theatre with Jerry Mouawad. The company’s signature works—FROGZ and ZooZoo—have appeared at the acclaimed New Victory Theater on Broadway and won critical acclaim across Asia, Europe, Canada and the U.S. Additionally, Triffle studied extensively with Jacques Lecoq in Paris, completing his pedagogical program. Drawing inspiration from Lecoq, Triffle places form and design at the forefront of theatre creation and infuses each production with idiosyncratic physical energy. She wrote, directed and acted in Ginger’s Green which marked the first of 15 original music-theater plays including her last, the radio play HAPPY TIMES.

 


 

 

 

 

Deloitte and Bloomberg Philanthropies are the 2021-2022 Season Sponsors.

Principal support for Theatre for a New Audience’s season and programs is provided by The Hearst Foundations, JLGreene Arts Access Fund in the New York Community Trust, The SHS Foundation, The Shubert Foundation, and The Thompson Family Foundation.

Theatre for a New Audience’s season and programs are also made possible, in part, with public funds from the National Endowment for the Humanities, the National Endowment for the Arts; Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest; the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the New York City Department of Cultural Affairs in partnership with the City Council.

Endowment support for The Merchant of Venice is provided by The Howard Gilman Foundation Fund for Classic Drama.

The LED and LCD screens at Polonsky Shakespeare Center were made possible in part by a grant from the Educational Foundation of America.