Artists and Community Series
Under the Auspices of the Merle Debuskey Studio Program
By Samuel Beckett
Streaming February 25 at 7pm ET through March 1, 2021 at 7pm ET
Featuring Bill Camp
Sets & Costumes: Kaye Voyce Lighting: Jennifer Tipton Video Design: Eamonn Farrell
Production Stage Manager/Assistant Video Director: Britt Berke Assistant Director: Peter Cook
Directed by JoAnne Akalaitis
THIS PERFORMANCE OF FIRST LOVE IS 90 MINUTES.
FIRST LOVE by Samuel Beckett is presented through special arrangement with Georges Borchardt on behalf of The Estate of Samuel Beckett. FIRST LOVE, a novella, was written in 1946. First published in French as Premier Amour by Edition de Minuit, Paris, 1970. The English Translation was published by Calder and Boyars, London, 1973. This Production presents the text of FIRST LOVE in its entirety without omissions or alterations.
After the premiere, the recording will be available to watch until March 1 at 7pm EST.
Join us for live discussions via Zoom with JoAnne Akalaitis, Bill Camp, and the artistic team, moderated by Alisa Solomon of TFANA’s Council of Scholars.
Thursday, February 25 at 8:45pm EST
Friday, February 26 at 8:45pm EST
Alisa Solomon is a teacher, writer and dramaturg living in New York City. She directs the Arts and Culture concentration in the M.A. program at Columbia University’s Graduate School of Journalism. Her criticism, essays and political reporting have appeared in a wide range of magazines and newspapers, including the New York Times, Nation, Forward, Theater, and Village Voice (where she was on the staff for 21 years). Her book, Re-Dressing the Canon: Essays on Theater and Gender (Routledge, 1997) won the George Jean Nathan Award for Dramatic Criticism. She is the co-editor (with Tony Kushner) of the anthology Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (Grove, 2003). Her latest book is Wonder of Wonders: A Cultural History of Fiddler on the Roof from Metropolitan Books (Holt). Photo by David M. Barreda.
ABOUT THE ARTISTS
Samuel Beckett (1906–1989) was born in the Dublin suburb of Foxrock, to a middle-class Protestant family of comfortable means. He attended the prestigious Portora Royal School and Trinity College, where he excelled in French and Italian, then taught briefly at the Ecole Normale Supérieure in Paris. There he moved in the circle of artists and writers around James Joyce and began writing prose and poetry. He traveled widely in Europe in the 1930s—including Germany under the Nazis—and ultimately settled in Paris for the rest of his life. In 1946, he was awarded the Croix de Guerre for his work with the French Resistance.
Feeling that WWII had wasted his precious time and energies, Beckett withdrew into creative seclusion afterwards, producing a torrent of astonishingly powerful and original prose, including the introspective, formally challenging, darkly hilarious novel trilogy Molloy, Malone Dies, and The Unnamable. These books—written in French, in which Beckett said it was easier to write “without style”—were ignored or dismissed when they appeared, then later hailed as paradigm-changing masterpieces and literary landmarks.
Beckett first turned to drama as a break from the novel-writing he considered his real work, but it soon became much more than a sideline. The international success of Waiting for Godot—his play about two tramp-like characters filling time while waiting for someone who never comes, premiered in 1953—made him a public figure and ensured his continued involvement in theater despite his shyness and distaste for publicity. He went on to refine his dramatic vision in Endgame, Happy Days, Krapp’s Last Tape and many other plays that featured similarly castoff, ambiguously fictional characters trapped in starkly desolate and symbolic situations. These works permanently altered the Western world’s perception of the nature and purpose of dramatic art. Beckett received the Nobel Prize in Literature in 1969 and at his death two decades later was widely considered the 20th century’s greatest dramatist.
BILL CAMP Broadway: The Crucible (Tony nomination), Death of a Salesman (Drama Desk nomination), Coram Boy, Heartbreak House, The Seagull. Off-Broadway: Homebody/Kabul (Obie Award Winner), The Misanthrope. Regional: Co-Adaptor and lead for In a Year With 13 Moons (Yale Rep) and Notes From the Underground (TFANA at Baryshnikov Arts Center, Yale Rep, La Jolla Playhouse), Olly’s Prison. Film: Dark Waters, Joker, The Kitchen, Native Son, Molly’s Game. Television: “The Queen’s Gambit” (SAG nomination), “The Night Of” (Emmy nomination), “The Outsider.”
Special thanks to Bruce Odland for audio consultancy and pre- and post-show sound.
SHOW YOUR SUPPORT
We are so grateful to all of you who have stood with us during this time. Please consider a fully tax-deductible gift of any size to our Recovery and Revival Fund to support our present work and plans for the future. New gifts will be matched dollar for dollar by a $200,000 Challenge provided by several anonymous donors. With your help our community can stay strong. Our shared conversation that is at the heart of great theatre will continue.
Theatre for a New Audience’s Artists & Community Series is presented under the auspices of the Merle Debuskey Studio Program. The program is named for Merle Debuskey, legendary press agent and long-time TFANA Board Member and advocate, through a bequest from his estate.
Merle was an influential force on and off Broadway for decades, notably as chief promoter of Joseph Papp’s Public Theater and Shakespeare in the Park. He represented hundreds of shows, including the Broadway hits How to Succeed in Business Without Really Trying, A Chorus Line, and Jesus Christ Superstar. He served as President of the Association of Theatrical Press Agents and Managers for many years.
We wish to express our gratitude to the Performers’ Unions:
ACTORS’ EQUITY ASSOCIATION
AMERICAN GUILD OF MUSICAL ARTISTS
AMERICAN GUILD OF VARIETY ARTISTS
through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program.
Photo Credit: JoAnne Akalaitis (photo by Dana Maxson), Bill Camp (photo by Bill Trent), Samuel Beckett.