…It would be easy to over-emphasize its radical qualities, though. This is not experimentalism as difficulty: It’s pleasure after pleasure. Director Lileana Blain-Cruz leans into its sense of overabundance by ignoring its birth in Off–Off scrappiness and staging the play as a trove of Fabergé eggs, each space a jewellike interior.
READ THE FULL REVIEW BY HELEN SHAW HERE.
Posted on November 26, 2019 at 4:09 pm
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Categories: Productions, TFANA in the News