Monthly Archives: October 2013
Written on October 29, 2013 at 11:54 am, by Jennifer Lam
GRASSES OF A THOUSAND COLORS, a co-production with The Public Theater by Wallace Shawn and directed by André Gregory, opened on Monday, October 28, 2013 to rave reviews. Click here to read Ben Brantley’s review in The New York Times, and Click Here to read David Cote’s review in Time Out New York.
Written on October 28, 2013 at 5:45 pm, by Jennifer Lam
‘”The play has this darkness and danger,” she [Julie Taymor] explains about what is generally considered one of Shakespeare’s most enchanted comedies. “It is night. It’s midsummer and shadows are lurking, transforming as the moonlight hits. We play with fabrics. All these ideas come from sleep, from a bedsheet, a dreamscape for humans and forest…Read More »
Written on October 23, 2013 at 1:29 pm, by Jennifer Lam
On Tuesday, October 22, 2013 Artistic Director Jeffrey Horowitz was proud to welcome New York Mayor Michael Bloomberg to cut the ribbon at Theatre for a New Audience at Polonsky Shakespeare Center, along with Brooklyn Borough President Marty Markowitz, Dr. Leonard S. Polonsky, Mark Rylance, Julie Taymor, and other distinguished guests. The New York Times…Read More »
Written on October 19, 2013 at 1:26 pm, by Jennifer Lam
Performances of our inaugural production, A MIDSUMMER NIGHT’S DREAM directed by Julie Taymor, have begun at Theatre for a New Audience at Polonsky Shakespeare Center in Brooklyn. Read the full story on Playbill.com.
Written on October 7, 2013 at 4:39 pm, by Jennifer Lam
Wallace Shawn’s GRASSES OF A THOUSAND COLORS, a part of The Wallace Shawn-Andre Gregory Project, has extended for two additional weeks of performances. The shows begin October 7th and now runs through November 24. Please click here to read more.
Written on October 3, 2013 at 12:35 pm, by Jennifer Lam
“But no matter what form freedom of thought takes, we wonder what it can mean in a world where we’re emotionally condemned not to face the truth of who we are.” CLICK HERE to read about Grasses of a Thousand Colors in The New Yorker.