Production History

2021-2022 Wedding Band by Alice Childress, directed by Awoye Timpo. The Merchant of Venice by William Shakespeare, featuring John Douglas Thompson, directed by Arin Arbus. Gnit by Will Eno, directed by Oliver Butler
2020-2021 (public digital programming due to COVID-19)
2019-2020 (public digital programming due to COVID-19)
2019-2020
2018-2019 2017-2018 2016-2017 2015-2016 2014-2015 2013-2014 |
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2012-2013 Much Ado About Nothing, by William Shakespeare, directed by Arin Arbus. Kafka’s Monkey, Based on Franz Kafka’s A Report to An Academy, adapted by Colin Teevan, directed by Walter Meierjohann, featuring Kathryn Hunter. YOUNG VIC Fragments, from texts by Samuel Beckett, directed by Peter Brook and Marie-Hélène Estienne. The Designated Mourner, by Wallace Shawn, directed by André Gregory. |
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2011-2012 Fiasco Theater’s Cymbeline, by William Shakespeare, directed by Noah Brody and Ben Steinfeld. Fragments, by Samuel Beckett, directed by Peter Brook and Marie-Hélène Estienne. Shlemiel the First, based on the Play by Isaac Bashevis Singer, conceived and adapted by Robert Brustein, lyrics by Arnold Weinstein, composed, adapted and orchestrated by Hankus Netsky, musical arrangements and additional music by Zalmen Mlotek, editorial supervision by David Gordon, music direction by Zalmen Mlotek, directed and choreographed by David Gordon. The Broken Heart, by John Ford, directed by Selina Cartmell. The Taming of the Shrew, by William Shakespeare, directed by Arin Arbus. |
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2010-2011 Notes from Underground, adapted and directed by Robert Woodruff from the novella by Fyodor Dostoevsky. Fiasco Theater’s Cymbeline, by William Shakespeare, directed by Noah Brody and Ben Steinfeld. The Merchant of Venice, by William Shakespeare, directed by Darko Tresnjak. Macbeth, directed by Arin Arbus. |
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2009-2010 Orpheus X, written and composed by Rinde Eckert, directed by Robert Woodruff. Measure for Measure, by William Shakespeare, directed by Arin Arbus. Love Is My Sin, adapted and directed by Peter Brook. |
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2008-2009 The Grand Inquisitor, adapted by Marie-Hélène Estienne, based on an extract from Fyodor Dostoevsky’s The Brothers Karamazov, directed by Peter Brook. Co-presented with New York Theatre Workshop Chair, by Edward Bond, directed by Robert Woodruff. Othello, by William Shakespeare, directed by Arin Arbus. Hamlet, by William Shakespeare, directed by David Esbjornson. |
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2007-2008 Ohio State Murders, by Adrienne Kennedy, directed by Evan Yionoulis. Oroonoko, adapted by Biyi Bandele from the novel by Aphra Behn, directed by Kate Whoriskey. Antony and Cleopatra, by William Shakespeare, directed by Darko Tresnjak. |
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2006-2007 The Merchant of Venice, in New York City and at the Royal Shakespeare Company in England as a part of the Compete Works Festival, by William Shakespeare, directed by Darko Tresnjak. The Jew of Malta, by Christopher Marlowe, directed by David Herskovits. Oliver Twist, adapted and directed by Neil Bartlett from the novel by Charles Dickens. |
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2005-2006 Measure for Measure, by William Shakespeare, directed by John Dove. Co-presented with Arts at St. Ann’s in association with 2Luck Concepts. Souls of Naples, by Eduardo De Filippo, directed by Roman Paska at Teatro Mercadante, Naples, Italy. All’s Well That Ends Well, by William Shakespeare, directed by Darko Tresnjak. Sore Throats, by Howard Brenton, directed by Evan Yionoulis. |
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2004-2005 Švejk, adapted by Colin Teevan from the novel The Good Soldier Švejk by Jaroslav Hašek, directed by Dalia Ibelhauptaite. Coriolanus, by William Shakespeare, directed by Karin Coonrod. Souls of Naples, by Eduardo De Filippo, newly translated by Michael Feingold, directed by Roman Paska. |
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2003-2004 The Last Letter, adapted and directed by Frederick Wiseman, from the novel Life and Fate by Vasily Grossman. Pericles, by William Shakespeare, directed by Bartlett Sher. Engaged, by W.S. Gilbert, directed by Doug Hughes. |
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2002-2003 The General from America, written and directed by Richard Nelson. Julius Caesar, by William Shakespeare, directed by Karin Coonrod. Don Juan, by Moliere, directed by Bartlett Sher. |
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2001-2002 Cymbeline, at the RSC and in New York City, by William Shakespeare, directed by Bartlett Sher. Andorra, by Max Frisch, newly translated by Michael Feingold, directed by Liviu Ciulei. |
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2000-2001 Saved by Edward Bond, directed by Robert Woodruff. Troilus and Cressida, by William Shakespeare, directed by Sir Peter Hall. |
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1999-2000 King John, by William Shakespeare, directed by Karin Coonrod. Waste by Harley Granville-Barker, directed by Bartlett Sher. The Green Bird by Carlo Gozzi, translated by Albert Bermel, directed by Julie Taymor, music composed by Elliot Goldenthal; On Broadway at the Cort Theatre. |
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1998-1999 The Iphigenia Cycle by Euripides, translated by Nick Rudall, directed by JoAnne Akalaitis, music composed by Bruce Odland. Macbeth, by William Shakespeare, directed by Ron Daniels. |
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1997-1998 Richard II and Richard III, by William Shakespeare, directed by Ron Daniels, music composed by Michael Ward. |
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1996-1997 The Changeling by Thomas Middleton and William Rowley, directed by Robert Woodruff. The Two Gentlemen of Verona, produced in association with The International Shakespeare Globe Centre, London, by William Shakespeare, directed by Jack Shepherd, music composed by Claire van Kampen. |
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1995-1996 The Green Bird, by Carlo Gozzi, translated by Albert Bermel, directed by Julie Taymor, music composed by Elliot Goldenthal. Measure for Measure, by William Shakespeare, directed by Barry Kyle, musical score composed by Michael Ward. |
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1994-1995 Henry VI, Part I: The Contention; Part II: The Civil War, by William Shakespeare, directed by Barry Kyle, musical score composed by Michael Ward. |
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1993-1994 As You like It, by William Shakespeare, directed by Mark Rylance, music composed by Claire van Kampen. Titus Andronicus, by William Shakespeare, directed by Julie Taymor, music composed by Elliot Goldenthal. The America Play by Suzan-Lori Parks, directed by Elizabeth Diamond. |
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1992-1993 Henry V, by William Shakespeare, directed by Barry Kyle. Love’s Labour’s Lost, by William Shakespeare, directed by Michael Langham. |
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1991-1992 The Comedy of Errors, by William Shakespeare, directed by William Gaskill. The New Americans, by Elizabeth Swados. Excerpts from The Tempest, by William Shakespeare, directed by Julie Taymor for PBS. |
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1990-1991 Romeo and Juliet, by William Shakespeare, directed by Bill Alexander. The Mud Angel by Darrah Cloud, directed by Kevin Kuhlke. |
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1989-1990 Othello, by William Shakespeare, directed by William Gaskill. The Red Sneaks, written and directed by Elizabeth Swados. |
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1988-1989 Macbeth, by William Shakespeare, directed by Nicholas Mahon. A Midsummer Night’s Dream, by William Shakespeare, directed by Jeffrey Horowitz. The Red Sneaks, written and directed by Elizabeth Swados. |
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1987-1988 The Taming of the Shrew, by William Shakespeare, directed by Julie Taymor, music composed by Elliot Goldenthal. Evening Star by Milcha Sanchez-Scott, directed by Paul Zimet. |
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1986-1987 Twelfth Night, by William Shakespeare, directed by Mary B. Robinson, music composed by Ray Leslee. The Tempest, by William Shakespeare, directed by Julie Taymor. Inside Out by Willy Holtzman, directed by John Pynchon Holmes. |
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1985-1986 The Tempest, by William Shakespeare, directed by Julie Taymor, music composed by Elliot Goldenthal. Home Street Home by Phil Bosakowski, directed by Elizabeth Diamond, music composed by Elliot Goldenthal. |
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1979-1985 Produced Shakespeare and other new plays for New York audiences. Toured the northeast U.S. with collages of Shakespeare’s scenes, soliloquies and songs, directed by Frank Corsaro. Premiered The Changeling by Joyce Carol Oates, directed by Lisa Lindstrom |
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Pictured above: Kathryn Hunter and cast members of A Midsummer Night’s Dream, photo by Joan Marcus. |